Das Rheingold | Wagner | Arcola | Julia Burbach

Adapted by Graham Vick and Jonathan Dove
Orchestrated by Jonathan Dove
Director – Julia Burbach
Set and Costume Design – Bettina John
Musical Director – Peter Selwyn
Lighting Designer – Robert Price
Assistant Director – Lysanne Can Overbeek

CAST
Paul Carey Jones – Wotan
Claire Barnett-Jones – Fricka / Wellgunde
Gareth Brynmor John – Donner
Seth Carico – Alberich
Kiandra Howarth – Freia/Woglinde
Angharad Lyddon – Flosshilde
Philip Sheffield – Loge
Andrew Tipple – Fasolt
Marianne Vidal – Fricka/ Wellgunde
Harriet Williams – Erda
Dingle Yandell – Fafner

Jonathan Dove‘s acclaimed Rheingold orchestration was performed here in London for the first time since its premiere in the 1990s, with 18 live musicians from the Orpheus Sinfonia and an exceptional cast of singers, many of whom were giving role debuts.

A key to any performance of the Ring is the director’s conception of who these people are, is this straight story telling about Germanic/Norse gods, a take down of capitalism or what? Bettina John’s imaginative set linked the balcony to the main playing area by a staircase made of ‘cardboard boxes’, with elements of the Ring’s iconography drawn on them, and on the floor. This meant that the work opened with what should have been the climax, the vision of the newly created Valhalla (drawn onto boxes piled high on the balcony). The idea of creating it out of the detritus around us, seemed to be central; Burbach’s programme note says ‘the story is triggered by a man stepping into a space that looks like something one might find in a Dalston back alley’. ” (Rober Hugill)

Harriet Williams as Erda here incognito
Dingle Yandell as Fafner admiring the ring, surrounded by the hoard
Marianne Vidal as Fricka and Paul Carey Jones as Wotan
Seth Carico as Alberich and Philip Sheffield as Loge
Gareth Brynmor John as Donner
Rheingold
Photo by Lidia Crisafulli

GHBoy | Paul Harvard | Charing Cross Theatre | Jon Pashley

Set and costume design – Bettina John
Writer – Paul Harvard
Director – Jon Pashley
Movement – Gerrard Martin
Lighting Designer – Tony Simpson
Sound Designer – Rona Castrioti
Additional Casting – Ellie Collyer-Bristow CDG
Production Manager – Jonathan Simpson
Press – Kate Morley PR
General Management – James Quaife Productions
Produced by James Quaife Productions

CAST:
Sylvester Akinrolabu
Geoff Aymer
Marc Bosch
Buffy Davis
Jimmy Essex
Devesh Kishore
Aryana Ramkhalawon

The play (written in 2020) tackles the misconceptions around gay culture and promiscuity and centres around the HIV positive protagonist Robert, who tried to live a normal life, leaving a drug addiction and toxic relationships behind him. The director and I established the arts as the core of the piece and set it in an abstracted art studio, where all the other actions took place too.

A man in underwear, GHBoy

★★★★ star review from Love London Love Culture

★★★★ star review from The Reviews Hub

★★★★ star review from West End Wilma

★★★★ star review from A Younger Theatre

Enron | Lucy Prebble | London College of Music | Paul Harvard

Writer Lucy Prebble (2008)
Set, costume and props design Bettina John
Director Paul Harvard
Costume Design Assistant Noemie Laffargue
Design Assistant Megan Stilwell

Original score by London College of Music composition students
Performed by the LCM final year BA Acting students

Enron
enron by lucy prebble LCM
enron
enron by lucy prebble LCM
enron

Alice In Wonderland | Perm Theatre for the Young Russia | Michael Hunt

This extraordinary adaptation of the classic Alice in Wonderland directed by Michael Hunt with set and costumes by Bettina John, re-imagines Wonderland as a curious modern landscape, reminiscent of computer generated images. This is where Bettina John starts her design exploration, the world of the internet with all its real and surreal aspects, especially when it starts taking over real life.

Photographs by Roman Gorbatovskogo

Broken Dreams | Belinda Evangelica | Live Art

Artist Belinda Evangelica
Costume design Bettina John

ThBroken Dreams‘ is an interdisciplinary work spanning live art, music, fashion, film and photography,

Bettina John has been designing costumes and done most of the art direction for the film- and photo-shoots of artist Belinda Evangelica since 2013.

fairytales
fairytales
fairytales

Alternative Fakes | Liz Aggiss | Dance | The Place

Inspired by ‘alternative facts’ and appropriation ‘formerly known as plagiarism’ (Grayson Perry), this work considers influence and context, whilst grovelling in homage, sampling, borrowing, cribbing, paching, stealing and imitating as a means to create Alternative Fakes.

This dance piece was commissioned by The Place, London School for Conteporary Dance, choreographed by artist and choreographer Liz Aggiss being inspired by artists such as Jerome Bell, John Cooper Clarke, Martha Graham, Dore Hoyer, Suzanne Linke, Bronsislava Nijinska and Jack Stanford.

With her design Bettina John makes use of a punkrock aesthetic and taps into a tradition of appropriation, exploring a fine line of invention and re-invention.

Dancers:

Jimmy Adams
Sarah Bateman
Ruben Brown
Frankie Hickman
Reece McMahon
Ruby Portus
Thomas Whiting
Sally Mayhew
Marcell Proske
Erena Reilent
Amy Toner

Alternative Fakes Lizz Aggiss Appropriation Alternative Fakes Lizz Aggiss Appropriation  Alternative Fakes Lizz Aggiss Appropriation

Alternative Fakes Liz Aggiss Appropriation  Alternative Fakes Liz Aggiss Appropriation Alternative Fakes Lizz Aggiss AppropriationAlternative Fakes Lizz Aggiss AppropriationAlternative Fakes Lizz Aggiss Appropriation Alternative Fakes Liz Aggiss Appropriation